Alfonso Goizueta, the 2023 finalist for the Planeta Prize with “La sangre del padre,” has released a new novel titled “El sueño de Troya.” This work takes readers on an archaeological adventure centered around the discovery of Troy, delving into themes beyond mere ruins and treasures. It reflects the enduring human quest for meaning in existence.
In a recent interview, Goizueta discussed the pressures and insecurities he faced after the success of his debut novel. He expressed moments of doubt, wondering if his writing journey would continue or if his second book would meet the expectations set by the first. He acknowledged that fear can be a limiting emotion, yet it also fuels creativity. “This novel also features an archaeologist uncertain about what he will find. Wherever the word “archaeologist” appears, readers should envision “writer,”” he remarked. Goizueta discovered a narrative that resonated deeply with his own life experiences, exploring the unknowns of existence.
The story of Troy is largely unfamiliar, despite its rich potential for narrative exploration. Goizueta was particularly intrigued by the figure of Heinrich Schliemann, whose obsession with uncovering the truth of Troy parallels his own quest for meaning. Schliemann”s character is complex and controversial, embodying both ambition and darkness. Goizueta portrays him as a flawed individual whose relentless pursuit of myth raises questions about the nature of truth and fiction.
The narrative is steeped in deception, with the theme of falsehood woven throughout. Goizueta employs an unreliable narrator, who reflects on his past from an older perspective, recalling events with uncertainty. This element of doubt is crucial, as it mirrors the historical ambiguity surrounding the discovery of Troy. The interplay of reality and fiction challenges readers to discern truth from myth.
Goizueta also introduces the character of Sofia, an 18-year-old girl who marries an older man, drawn by shared passions for ancient Greece and archaeology. However, she soon realizes her reality is far from the romantic ideal she envisioned. As her husband claims her contributions to discoveries, Sofia finds herself in a position of betrayal. After his death, she dedicates her life to excavating independently, reclaiming her agency and pursuing the discoveries denied to her.
The novel explores broader themes, such as the human desire to understand life”s meaning beyond mere existence. It reflects on 19th-century nationalism, as European nations sought to reclaim their ancient pasts, legitimizing contemporary identities through connections to Greece and Rome. This quest for meaning is paralleled by the characters” journey toward self-discovery amidst the ruins of Troy.
Goizueta emphasizes that archaeology serves as a gateway to understanding our history. He believes that it is essential to examine the remnants of the past to construct a coherent narrative of human experience. “Archaeology is dust and ruins, but they are our ruins, the dust from which we come,” he concludes.
As he reflects on his writing process, Goizueta recognizes the blending of historical accuracy with creative narrative. He finds himself increasingly aligned with the novelist”s perspective, where the exploration of human psyche and character takes precedence over strict adherence to historical detail. “The novelist must exist in this porous, undefined space between reality and fiction,” he asserts, leading to a richer exploration of the human condition.
In “El sueño de Troya,” Goizueta invites readers to confront their interpretations of Troy and its significance, encouraging reflections on personal myths and aspirations. The novel serves not only as a tale of discovery but also as a meditation on the quixotic nature of human pursuits.
