This Monday afternoon, the UNED classroom in Melilla was filled with attendees eager to witness the presentation of the “Catalog of Modernist Ornamental Elements of Melilla.” This significant work was created by historian Antonio Bravo and photographer Antonio Ruiz.
During the event, Juan Luis Ramos, the director of UNED Melilla, expressed his gratitude for the opportunity to share the platform with Bravo, a well-respected historian and official chronicler of the city. Ramos highlighted that the catalog project has been in the making for 45 years, a testament to Bravo”s dedication.
Bravo took the stage to thank the attendees for their participation, noting the strong turnout, which he attributed to the book”s engaging theme. He dedicated heartfelt remarks to José Luis Gómez Barceló, his colleague and official chronicler from Ceuta, appreciating his generosity in sharing valuable documentation with those in need.
Gómez Barceló reflected on the importance of the event, indicating that it should have occurred earlier but was delayed due to various circumstances. He emphasized the symbolic nature of the presentation, representing their collaborative efforts over the years. He recalled the origins of the catalog, which began as a collage of photographs, evolving into the comprehensive work it is today.
He underscored the collaborative nature of the project, stating that it reflects the ongoing partnership between Ceuta and Melilla, where various institutions come together to achieve common goals. This synergy has allowed for cost-effective initiatives that expand cultural outreach.
Bravo”s research for the catalog includes not only his own photographs but also contributions from others, whose work inspired him over the decades. He mentioned the impactful slides from Laura Cantón and Ana María Riaño, which sparked his interest in Melilla”s modernism. Bravo spoke of his explorations in the Real neighborhood, where he and fellow historian Lucas Calderón documented ornamental details adorning the facades.
After years of intermittent work, the catalog project was revived when Bravo”s personal photo album caught the attention of Ruiz, who spent months analyzing it. Ruiz, who has a background in photojournalism focused on social issues, recognized a compelling narrative within Bravo”s collection and integrated his artistic vision into the project.
Together, they combined their efforts to produce a publication that catalogs over 1,200 ornamental features of the city. Ruiz noted that each facade tells its own story, enriched by the memories shared by local residents. These narratives provide a glimpse into the lives of Melilla”s inhabitants, preserving their history through architectural elements.
Bravo described the catalog”s content as a means to classify various architectural styles, some of which intersect generationally. He emphasized the evolution of public perception regarding Melilla”s unique architectural identity, shaped by collaborative efforts from institutions and the community. The catalog highlights styles such as classic, eclectic, and modernist, with a focus on floral elements.
In conclusion, Bravo asserted that the catalog serves as a vital tool for identifying and preserving Melilla”s architectural heritage. He called attention to the loss of traditional craftsmanship that contributed to this architectural wealth, advocating for the revitalization of artisanal skills that are foundational to the city”s identity.
